Gamechanger Audio launches crowdfunding campaign for electro-mechanical MOTOR Synth - InsideAudio

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3 Jun 2019

Gamechanger Audio launches crowdfunding campaign for electro-mechanical MOTOR Synth

3 Jun 2019
innovation Gamechanger Audio launches crowdfunding campaign for electro-mechanical MOTOR Synth


Having successfully showcased MOTOR Synth as the world’s first electro-mechanical desktop synthesizer at SUPERBOOTH19 in Berlin, May 9-11 — wowing well-known attendees like legendary French electronic music pioneer Jean-Michel Jarre and Atlanta-based American electronic musician and acclaimed sound designer Richard Devine in doing so, uncharted music electronics territories explorer Gamechanger | Audio is announcing that its IndieGoGo crowdfunding campaign starts on Tuesday, May 28 (at 4PM GMT).

Update: they already achieved their IndieGoGo goal!

Once its IndieGoGo crowdfunding campaign commences, MOTOR Synth will be available to pre-order — prices starting at $749.00 USD — for 30 days. After the crowdfunding campaign closes, MOTOR Synth will only be available for online and in-store purchase at an MSRP (Manufacturer Suggested Retail Price) of $1,299.00 USD when shipping starts, scheduled for around November/December 2019.

Have a look at the IndieGoGo campaign here.

As the world’s first electro-mechanical desktop synthesizer, MOTOR Synth really represents a new method of analogue audio signal synthesis since digitally-controlled electromotors (used to convert electrical energy into mechanical energy) have never before been used as the principal sound source for a commercial musical instrument. In a nutshell, MOTOR Synth produces sounds by accelerating and decelerating eight electromotors to precise RPMs (revolutions per minute) that correspond with specific musical notes. Each electromotor is fitted with a magnetic pickup/inductor and an infrared photosensor that reads a spinning optical disc with printed sine, sawtooth, and square wave-shapes. Besides using motors as oscillators, the rest of the synth’s features are designed in the best tradition of analogue gear.

Little wonder, though, that Jean-Michel Jarre and Richard Devine — definitely no strangers themselves to just about every synthesizer ever made — were both blown away by MOTOR Synth, since nothing like it has ever been built before! But far from losing its users in totally unknown territory, MOTOR Synth still features familiar analogue audio processing circuits — filters, envelopes, et al — alongside arpeggiation, cross-modulation, sequencing, and multiple polyphonic mode facilities, as well as an innovative looping system that allows adventurous users to layer rhythm and melodies, just like when using a loop station.

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